Digest Archives - Page 3 of 11 - Biennial Foundation

Biennials of the South on the Edges of the Global

Authors: Anthony Gardner and Charles Green.

Published in: Third Text. Volume 27, Issue 4, 2013. Special Issue: Global Occupations of Art.

The question this essay asks is how exhibition histories of contemporary art shift when seen not from the perpetually insistent demands of the north, but from the viewpoints and aspirations of the South. What might a Southern perspective of biennials look like?

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Article by Vinicius Spricigo published at Plataforma, a tablet publication on the Brazilian art scene, developed by seLecT magazine and Latitude_Platform for Brazilian Art Galleries Abroad.

Biennials: Prospect and Perspectives. Biennials in dialogue 5 ZKM, Karlsruhe 27.2. – 1.3.2014. Conference report by Misal Adnan Yıldız.

1st Thessaloniki Architecture Biennale catalogue available online on ISSUU.

For a limited time, you can purchase the 19th Biennale Book Set (Catalogue and Guide); plus free shipping within Australia.

This monumental book explores the recent history of exhibition-making, looking at the radical shifts that have taken place in the practice of curating contemporary art over the last 20 years.

A special edition for 2014 Dakar Biennale, with features, interviews, retrospective views.

Issue one of Stages presents insights, propositions and interventions produced during a year-long partnership between Liverpool Biennial and Mathaf: Arab Museum of Modern Art.

‘Magiciens de la Terre Reconsidered’ from Exhibition to Screen.

How many histories do you need to know in order to write exciting criticism of art at the axis of dance and visual art, theater and performance, and every iteration in between?

In 1989 the ambitious exhibition ‘Magiciens de la Terre’ opened in Paris, presenting the work of over one hundred artists, half of whom were described as non-Western.

Seismopolite Journal of Art and Politics is a Norwegian-English quarterly which investigates the possibilities of artists and art scenes worldwide to reflect and influence their local political situation.

The research for this article was supported by the Australian Research Council, as part of the authors’ Discovery Project grant (2011–2014) to examine postwar biennials, triennials and documentas.