by Shwetal A. Patel

The accelerated programme of development is not new to China, but the unusual regional and cultural context has triggered speculation as to its underlying motives. If applied to the Biennale, this delivers a perhaps more enlightening critique than the mass media’s overwhelmingly singular focus on the last-minute removal of Ai WeiWei from the Biennial’s program…
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by Shwetal A. Patel

Amidst atmospheres of uncertainty and infrastructural precarity, the number and scale of biennales has seen an exponential increase over the last 30 years. The Gwangju Biennale – Asia’s largest and longest running – is no exception to this phenomenon. It has in recent years mounted ever more expansive and ambitious exhibitions and public programmes, curated by many of the world’s leading artistic protagonists. This year’s instantiation, under the direction of Maria Lind, revels in and reflects upon these dual trends of expansion and uncertainty.
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by Vinicius Spricigo

Contentious displays of artists’ ethical and political positions became commonplace in the recent São Paulo Biennial openings. It could not be different this year, considering that the 32nd São Paulo Biennial opened a few days after the impeachment of president Dilma Rousseff…
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by Vija Skangale

Bonjour! Morning air on the way from our hotel to the “Not New Now” or the sixth Marrakech Biennale was filled with a mixture of hot dust, a motor rollers’ loud noise and a delicate smell of spices…
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Introducing B I E N N I A L G R A M

Have you recently visited a biennial or art festival?

Have you seen an artwork or exhibition so amazing that you told all your friends “you HAVE to see this!”? Have you attended a conference or lecture related to biennials that that shouldn’t have been missed?

You can now share your experience with Biennial Foundation’s audience – more than 60,000 monthly readers around the globe. Your report, review or reflection may be published on Biennial Foundation website and BF Facebook page.

Your Biennialgram can be a short text (in English, max. 750 words) accompanied with photos or short videos, a photo set, or even a single photo with caption. Please don’t be shy – our Editor will help you in case English is not your first language. Every week a selection of best submissions will be featured on our front page, so start submitting today!

Please send your submission to: biennialgram@biennialfoundation.org including details of the event featured in your Biennialgram, your name, and, optionally, your twitter handle, instagram username or personal url. If you are submitting a text, please also include your short bio (max. 35 words).

Please note that by submitting your text and visuals, you grant us permission and rights to edit, feature and promote uploaded content. You will always be attributed as the original author.
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