Okwui Enwezor appointed Director of Venice Biennale 2015.

Okwui Enwezor. Photo Courtesy Venice Biennale

Born in Nigeria in 1963, Okwui Enwezor is a curator, art critic, editor and writer; since 2011 he has been the Director of the Haus der Kunst in Munich. He was Artistic Director of the 2nd Johannesburg Biennale in South Africa (1996-1998), of documenta 11 in Kassel, Germany (1998-2002), the Bienal Internacional de Arte Contemporáneo de Sevilla in Spain (2005-2007), the 7th Gwangju Biennale in South Korea (2008) and of the Triennal d’Art Contemporain of Paris at the Palais de Tokyo (2012). Enwezor’s wide-ranging practice spans the world of international exhibitions, museums, academia, and publishing. In 1994 he founded “NKA: Journal of Contemporary African Art” published by Duke University Press. He is the author of numerous essays and books, among others: Archive Fever: Uses of the Document in Contemporary Art (2008).

President Paolo Baratta stated:

“We have closed an extraordinary research-exhibition which was brought to term with great success by Massimiliano Gioni, and had the record in the number of visitors and particularly of young visitors. This success demonstrates the ever-widening range of people who directly enjoy the cultural and the emotional experience that la Biennale can provide. We now turn, for the next edition, to a person who has a great many experiences to his name, with an ample history of activities and studies in a wide range of topics concerning art. Enwezor has investigated, in particular, the complex phenomenon of globalization in relation to local roots. His personal experience is a decisive starting point for the geographic range of his analysis, for the temporal depth of recent developments in the art world, and for the variegated richness of the present.

On his part, Okwui Enwezor has stated:

“No event or exhibition of contemporary art has continuously existed at the confluence of so many historical changes across the fields of art, politics, technology, and economics, like la Biennale di Venezia. La Biennale is the ideal place to explore all these dialectical fields of reference, and the institution of la Biennale itself will be a source of inspiration in planning the Exhibition.”



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