OBOE invites proposals for articles that examine the role prints and printed matter (multiples, artist’s books, printed ephemera, catalogues, etc.) have played in the context of international, large-scale exhibitions from the end of the nineteenth century through the contemporary moment.
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Glasgow International is undertaking market research to obtain notes of interest in the role of Production Manager. This Production Manager will play a leading role in the development and delivery of the 2022 Scotland + Venice project.
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Manifesta has announced that the 2024 edition of the itinerant European biennial will take place in Barcelona and ten other metropolitan cities of Catalonia region. The International Foundation Manifesta simultaneously announced their pick for the 2026 edition, which will take place in Germany’s Ruhr Area.
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Philip Tinari to curate the first Ad-Diriyah Biennale in the Kingdom of Saudi Arabia
The Thunaiyat Ad-Diriyah Foundation announced today that Saudi Arabia’s first art biennale will be curated by Philip Tinari, the director and chief executive of UCCA Center for Contemporary Art, China’s leading contemporary art institution.
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Any Future for Biennials? With Rafal Niemojewski, Manuela Moscoso, Martin Guinard, and Filipa Ramos
Any Future for Biennials? Panel discussion. The many canceled large-scale international exhibitions of the past year raise serious questions about the viability of such spectacular events. At the same time, travel restrictions and localized lockdowns may recall a time when such venues for cultural and artistic exchange held a crucial utopian promise.
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